Doctor of Philological Sciences
Associate Professor at Ivane Javakhishvili Tbilisi State University
Invited Professor at Samtskhe-Javakheti State University
nestan.sulava@tsu.ge
Abstract
Observing the plot progression and compositional framework of the Georgian "Balavariani", makes evident that the main character, Iodasaph, undergoes a profound spiritual metamorphosis from a prince to a saint emerging as an exemplary hero amidst the other characters in the narrative. This happens against the wishes and efforts of his father, Abenes. Additionally, the prince, under the tutelage of Varlaam, emerges as the catalyst for the propagation of the Christian faith within his kingdom. "Balavariani" showcasesa resemblancedue to its composition with the works of different genres by recounting the tale of a childless king, Abenes, who sought to raise the prince according to pagan religious precepts. However, divine intervention redirected the prince's destiny toward a markedly different spiritual path, one characterized by the Christian worldview and self-awareness.Iodasaph, in defiance of prohibitions, shared the principles of the Christian faith and attained a pinnacle of self-awareness, ultimately facilitating the conversion to Christianity of others, including his father.This transformation was made possible through Iodasaph's unwavering determination and tireless efforts.
Given the aforementioned characteristics of Georgian Hagiography, "Balavariani" diverges from trends observed in traditional Georgian hagiography and aligns more closely with Byzantine hagiography. It does not address national issues, as its origin lies in a Christianized adaptation of Buddha's life. The author's national stance is not evident in the work, nor would it be expected. Instead, the Hagiographer's primary focus is on the Christian ascetic life, emphasizing spiritual transformation through imitation of the Savior. The story underscores the restoration of fallen Adam to his original state, which is only possible with the divine will, and highlights the role of individual effort.The primary aim of hagiographic works is to show the deification of the person, effectively portraying them as being united with God. This journey toward sainthood is hard to pass, requiring the hero to endure physical suffering and experience Christian joy. Through this process, the saint, adorned with the typical artistic features of hagiographic heroes and characterized by their closeness to the divine, transforms worldly features into divine ones.Central to this endeavor is the author's artistic method of depicting Ioasaph as a saint. Through various literary techniques, the author effectively constructs Ioasaph's saintly persona.
The purpose of the report is to present the spiritual image of the Georgian "Balavariani" king and prince, to discuss the process of becoming a saint of Yodasaf and Balahvari.
Keywords: Georgian Balavariani, Iodasaph, Balavari, hagiographic hero, spiritual transformation, deification.