Hasmik Harutyunyan
PhD in Philology
Researcher
Institute of Archaeology and Ethnography, National Academy of Sciences of Armenia, Shirak Armenological Research Center
Gyumri, Armenia
ORCID: 0000-0003-0032-5123
hasmikhar@mail.ru
Hasmik Matikyan
PhD in Art Studies
Senior researcher
Institute of Archaeology and Ethnography, National Academy of Sciences of Armenia, Shirak Armenological Research Center
Gyumri, Armenia
hasvrej@mail.ru
A Linguo-Folkloristic Analysis of Songs in Georgian and Armenian Fairy Tales /Intergeneric Penetration/
A Linguo-Folkloristic Analysis of Songs in Armenian and Georgian Fairy Tales (Intergeneric Penetration) The inclusion of songs in fairy tales exemplifies a distinct form of intergeneric penetration, where the lyric or musical mode intrudes upon and transforms the narrative structure. Rather than merely accompanying the story, songs penetrate the fabric of the tale, introducing lyrical elements—such as rhythm, repetition, and emotional intensification—that disrupt and enrich the fairy tale text. This penetration allows songs to function not only as expressive interludes but as integral narrative components, shaping character development, advancing plot, and reinforcing thematic motifs. In doing so, they blur the boundaries between genres, embedding poetic form within prose narrative to create a hybridized storytelling experience. This paper examines the roles of songs in Armenian and Georgian fairy tales, exploring their magical and emotional significance, as well as their function as integral components of the narrative structure. Our analysis reveals that songs in Georgian and Armenian fairy tales are not merely decorative or emotional tools. Instead, they serve multifaceted roles as both magical invocations and narrative devices. Through this comparative study, we see that songs in Georgian and Armenian fairy tales are key elements in both the spiritual and narrative dimensions of folklore. These songs function as cultural expressions, helping to preserve and transmit the spiritual, magical, and emotional worlds of the characters.
Keywords: song, function, text, Georgia, Armenia, hero, stylistic.